Birth, Death & Moments Between

A collection of short stories about women: their struggles, strife, success and survival.

A book dedicated to the lives of women.

Stories that are brutally honest, sometimes painfully so, scattered with moments of joy, love, regret, hate, desire...

Stories which move through multiple generations, continents and cultures, giving words to those without voices and voices to those without words. 

Stories of Women

I wrote for as long as I can remember, on my parent’s walls, on scraps of paper, on books, in books, absolutely everywhere…
— Nerin Naidu
  • “The beating of the drum echoed in the heartbeat of the newborn, calling to her, for her , for her people, the ones who sang the songs, chanting to the Prophet Shembe for his blessings…”

  • “…she felt her way on the blood crusted earth until she arrived at the flowing wet fabric of Luxmi’s saree. She knew that the soul had left this damned being, yet life still lingered…”

  • “…the old grandmothers held tightly onto each other, sharing their grief of loss and joy of birth, unable to separate the two…

  • “He clung to me with his pale white arms and tear soaked face, a face that rarely saw the sun and me with my bronze, sun-burnt body and tousled hair that seldom felt the touch of a comb…”

Book Club Discussion

  • What is the significance of the cover?

    AUTHOR’S ANSWER: The Pregnant Form

    The smudges of charcoal reflect the fleeting passage of time, looking through a mirror at a reflection looking back. The pattern between the images formed a natural hourglass with the sands of time escaping at a rapid, unstoppable pace, much like life from the moment of conception, progressing at a phenomenal pace until we look at the image before us, wondering where the time has gone as we reach the twilight years.

    The armless figure was a deliberate play on imagery of a woman without arms holding onto nothing…

    The side view is that of a barren landscape reflected in the desert with mounds of sand heaps blown in the winds of time.

    Discuss

  • There are older women featured in most stories.

    Can you identify them?

    What significance did they hold?

    ANSWER:

    Ali - Umi Zainub – the grandmother

    Esi – Nur, the old Nana

    Meena – Sina, the blind old lady

    Samsara – Avva Lalika

    Name the others …

  • Which one story stood out to you as your favorite?

    AUTHOR’S ANSWER

    Sorry readers, I can not name just one.

    For me: Surian and Rosa were the 2 stories that allowed me to give vent to the worse moments in my life. Yet writing these stories was cathartic and kept me alive, very literally so, when I thought that all else in my life had no meaning.

  • The list of red items on the last page of the last story feature throughout the book.

    Can you identify where they belong?

    ANSWER:

    The red sunflower petal – Clarissa

    The red lollipop – Sindisiwe

    The red lipstick – Gina

    The red square of a baby blanket – Narya

    The frayed red leggings – Bree

    The red, lacy gloves – Malaya

    The red ribbon – Priya

    A shard of the red clay pot – Ji Lin

    Can you identify more red items?

  • Close Your Eyes and Visualise

    Call out the first thing that comes to mind when you hear:

     Red stained mouth

     The first song you associate with someone you love

     Red lacy underwear

     Sunshine through rain

     A mobility scooter

     An oversized soup pot

     An old church

     An hour glass

  • Reader’s choice

    Chose any of the stories and give it a different ending.

    What if…

    Discuss

    AUTHOR’S ANSWER: Anita – She stood still as she heard in the distance the faint voice of Whitney Houston singing:

    All the Man I Need.

    Anita turned and ran to him. She knew beyond doubt that she made her choice.

    She finally found love.